JIM SHORTS – my first book

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This isn’t a book for everyone. (I’m quite the salesman, aren’t I?) Inspired and influenced by the wordplayful writings of Lewis Carroll, James Joyce, Edward Lear and John Lennon, Jim Shorts is a decidedly non-mainstream collection of 50 stories, poems and specialty forms (playlets, advice column, letter, magazine article, etc.) with line drawing illustrations. In an era more suited to soundbites and short attention spans, the dense wordplay and punning preclude this from being a quick and easy read. Evelyn Wood herself, rest her speed-reading soul, would have been hard-pressed to zoom through my pages, at least without grasping the enhanced meanings the altered spellings and fused words add to these fictional pieces. Therein lies the key. The strange words are not arbitrary and haphazard. This is not merely a trunkload of malaprops (though there are many). This is not Norm Crosby on acid. No, most every syllable is deliberate and, more often than not, contextual. Some of the poems do appear in “straight” language, placed at intervals to clear the mental palette, as it were, but the majority of the book is stylistically what has become known as Joycean. Actually, while indebtedly tipping a glass and raising a hat to those afourmentioned authors, I would prefer, at the very least, Geoycean. Or better yet, Georgean.

How would I categorize it? Nonsense? Sure. Surreal? Definitely. Absurdist? Guilty. Avant-garde? Fair enough. Experimental? OK, but no Bunsen burners were used in the creation of this book. Above all that, humor–be it black, satirical or just plain wacky–is the aim. And in my art of arts, I do believe it’s a very funny book. Funny, punny and honey for those who are sweet on words and have a taste for cunninglinguistics. (Which reminds me, be advised there is adult content, albeit in distorted language.)

What are the stories and poems about? In plain English–unlike the stories themselves–“Blue Spaghetti” is about a floundering restaurateur who tries to spice up business by serving up a gimmicky, colorful dish called Pasta Azul. A disaffected young man with bad skin finds solace when he runs away to join other like-faced comrades in the “The Fresh Foreign Lesion.” A bandleader with a strict dress code faces a mutiny from players who want to wear shorts onstage in “The Litre of the Band.” “The Cardsharks” are a roving trio who goes door-to-door, forcing their hosts into playing card games for money that the intruders invariably win. In “Orville’s Raccoon Problem,” the protagonist faces a murder charge for axing his mother-in-law while claiming that in the dark garage he mistook her for a large raccoon. Not quite feel-good stories. Then again, if they trigger anything from chuckles to guffaws in the reader, maybe they are.

After wasting far too much time chasing my tale(s) seeking a publisher and finding them unwilling to even read the book, self-publishing seemed my only option. However, that method, too, is problematic, as I cannot afford to print hard copies. Furthermore, due to the idiosyncrasies in the book’s layout, it cannot be uploaded to the usual ebook formats. Consequently, I have decided to release it on a grassroots (sha la la la la, I live for today) level as a simple PDF. As such, it can be viewed in a two-page open-book format, which is better suited to an illustrated offering like this. It’s simple, it’s clean, it’s easily emailed, and, most importantly, it’s the book I created in the form I wanted without any interference from a muddleman.

And so, if any of you would like to try on Jim Shorts (one size fits all), it can be purchased at: https://payhip.com/b/Tf2K

Thanks for lending an eye.

 

(Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Jim George and byjimgeorge with appropriate and specific direction to the original content.)

Author: Jim George

I'm a writer, artist, songwriter, musician, and sound collagist. Working as a freelancer in the '80s and '90s, I interviewed a host of celebrities, including such legends as Gore Vidal, Muddy Waters, Steve Allen, Carl Perkins, Jean Shepherd, Willie Dixon, Nicolas Roeg, Bo Diddley, Steve Cropper, Dick Cavett, Junior Wells, Tony Bennett, and Buddy Guy for such publications as Starlog, Guitar World, Guitar For the Practicing Musician, Prevue and my hometown newspaper the Reading Eagle. Most recently, my interviews have appeared in Playboy, Cinema Retro, and Best Classic Bands. My fiction and artwork have appeared in Otoliths, Last Leaves, The MOON, Dream Noir, The Sea Letter, The Ear, Defenestration, What Are Birds, Lotus-eater, Pennsylvania Bards Southeast Poetry Review, Fleas On The Dog, ANON, Hock Spit Slurp, Queen Mob's Tea House, The Five-Two, The Disappointed Housewife and Praxis. I have authored two books--Jim Shorts, a collection of stories, poems and drawings, and My Mind's Eyeful, an illustrated children's book, both available as PDFs at: https://payhip.com/JimGeorge In my musical life, I've written and recorded songs that were used as background on a number of television shows including Young Sheldon, Burn Notice, The Hot Zone: Anthrax, Sneaky Pete, Fresh Off the Boat, My Name is Earl, The Secret Life of the American Teenager and Vanished, as well as in the independent feature film Neo Ned (starring Jeremy Renner and Gabrielle Union). Bluesman Benny Turner has used lyrics of mine for a song he composed entitled "Who Sang It First." Fronting my own band, I have been a supporting act for such artists as Ian McLagan, Sonny Landreth, Joe Louis Walker, Simon Kirke, Walter Wolfman Washington, Kim Simmonds and Savoy Brown, Eddie Money, Starz, Johnny A, The Holmes Brothers, Trampled Under Foot and Gary Hoey, among others.

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